The present proposal is submitted by Stathis Yapoutzidis Karras (Department of Product & Systems Design Engineering, University of the Aegean/ Artist) and Eleni Yapoutzidi Karra (Architect, AUTH). The proposal concerns an in-situ installation-performance in the area of SEE QUARRY in the Koumela quarries on Tinos island in Greece.
The installation will include a peculiar construction of an ambo-springboard on the edge of a part of the rock from which the shape-image of a cross, surrounded by floating barbed wire mesh will be projected, with a projector into the sea (projection). Alternatively the cross can be made of neon lamps which will be immersed in water due to the shallow depth of the lake.
The space is already limited by artificial human boundaries like those of the lake, culminating in the presence of the blade wire in the middle of the lake, creating a "hole" in the water. The human presence of boundaries and traces has remained indelible. The location looks like a theater where the lake looks like a stage and the rocks like stands. In this theater the protagonist is the human through the signs on the landscape that reveal the anthropocene essence of the place.
The observers-mystics will be led to a multi-sensory experience through their interaction with the avaton, the transcendental and the anthropocene landscape of the ancient quarry, with final destination its "apotheosis" and their initiation into a lingering mystery full of immersion, mystagogy and ignorance. The monumentality of the place creates a geological sanctuary-church in which the mystics-observers experience a drama full of satire and tragedy. The tragedy of the landscape beauty can reach the limits of despair.
In the area opposite the pulpit (on the beach-shore created in front of the artificial lake) speakers and floodlights will be installed that will enrich the installation with deafening sounds from bells and dramatic alternating lighting.
The materials and technical details mainly concern the construction of the ambo-springboard at the edge of the rock at the specific point of the installation, which presupposes the construction of a metal framework on which marble slabs of Tinian marble will be placed, in order to perfectly harmonize it with the natural rock landscape. The access passage to the pulpit-pedestal can be optional, while serving the individual access of the observers and will not require the use of marble.
Additional technical details concern the sound and lighting installation. The sound must be sufficient for the performance of the work at satisfactory sound levels, creating a natural speaker through reflections on the rocks of the quarry, creating deafening frequencies under the sound of pulsating bells. The lighting will be alternating but also continuous in specific points such as that of the pulpit-springboard. The installation-performance shall occur during sunset in order for the required blackout to be achieved, using video-mapping.
The project implementation process requires cooperation with local agencies that would be ideal, and would give further impetus to the project implementation.